美国Bethel伯特利教会创立于1954年的，目前由Bill Johnson比尔强森带领，他们的两大敬拜音乐厂牌与事工”Bethel Music伯特利音乐”和”Jesus Culture耶稣文化”目前已闻名全球，他们许多的敬拜歌曲已经被翻译成中文广为传唱。

Brian&Jenn Johnson夫妇带领的“Bethel Music”团队在10年前成立时，他们在设备上的预算非常少，但在技巧上和设备上追求卓越是他们一直以来的目标，因为他们认为服事是与上帝同工，所以要成为祂的好管家。

你看见办事殷勤的人吗？他必站在君王面前，必不站在下贱人面前。(箴言 22:29 和合本)

箴言书和合本这里说的“殷勤”就是技巧卓越，英文翻译成“Skilled”，就如同大卫，因为他善于弹琴，所以被邀请到王的面前弹琴以至于赶出了扫罗身上的鬼，也因为他善于投石，所以打败了巨人歌利亚。当然这些技巧的背后，都是有上帝的大能，因为我们是与上帝同工。

今天跟大家分享这张设备清单是Bethel Music团队10年以来的积累，不断的试验和改良的结果，以至于可以呈现出尽可能好的声音给上帝。

但是我们都知道，美国是所有现代音乐人向往的购物天堂，几乎所有最好的乐器都在那边制造，而价格又是全世界最便宜，对于他们来说的低预算，换成我们可能是奢侈的选择。

例如上次分享了教会想要建立视觉多媒体团队？请先看完这一篇文章，里面说到他们预算很低，所以摄像机就用BMD，有同学就留言说BMD还叫预算低吗？你自己去品。

同时Bethel属于巨型教会，敬拜团的规模也是非常庞大，当我们看看我们自己的团队，看看我们聚会的规模，可能会觉得差距太大不切实际，但事实上不管聚会规模团队结构怎样，许多基本功能是一样的，参考原则也是一样的。

所以这个清单仅供大家参考，不是告诉大家该用什么，而是希望可以教会大家如何去选择设备。

设备选择上有任何的问题，还可以咨询专业的迦南琴行店小二，我们为教会提供乐器和音响服务已经拥有超过11年的经验。

上次我们分享了鼓的部分：Bethel敬拜团的设备清单大揭秘：鼓篇，今天让我们一起来看看吉他贝司的部分：

BASS 贝司

Instrument 乐器型号

Fender American Elite Jazz Bass w/ Ebony Fingerboard

Amps 音箱

Ampeg Heritage 300-Watt Tube Bass Head 箱头

Ampeg 800-Watt Extension Cabinet 箱体

Aux 辅助

Moog Subsequent 37 Analog Synthesizer 合成器

ELECTRIC GUITAR 电吉他

Guitars 吉他品牌

Fender
Gretsch

Amps 音箱

Fender Twin Reverb Tube Combo Amp
The EQ on this amp is well rounded as a whole and not too bright, giving it a really nice breakup tone. It growls and punches without getting muddy.

Fender Blues Junior III Tube Combo Amp
This amp is a cheaper option that offers a wide EQ range, a bright top end, and a sweet breakup tone. It has a good speaker in the back that gives you room to do what you want with it.

Fender Princeton Reverb Tube Combo AmpThis amp has a really good breakup tone because it’s smaller with a 1×10 speaker. It offers a great tone but can be made quieter if you need it to if you’re in situations where you can’t isolate amps.

Pedals 踏板

Strymon BigSky Multidimensional Reverb Pedal 混响踏板
Anything from Strymon is amazing! This pedal allows for a large amount of customization with the different types of reverb, all while sounding very high quality. The stereo image of the reverb is really wide, allowing a single guitar player to fill a huge space on their own.
Strymon TimeLine Multidimensional Delay Pedal 延迟踏板
This pedal is similar to the Bigsky, and there is a large amount of customization for each of the different types of delay. It’s very out of the box, having some of the truest and widest sounding delay tones, where other pedals fail to accomplish a simple wide sound or take hours of programming to do what the Timeline does by itself.

Strymon Zuma 9-output Guitar Pedal Power Supply 踏板电源
This power supply offers 500ma of power with little to no hum. It also converts international power automatically, which makes it ideal for a touring guitarist. You can chain the Strymon Ojai off of it, making it extremely easy to add more powerlines to your board. It also comes with its own power cables.

Strymon Ojai 5-output High Current Guitar Pedal Power Supply 踏板电源
For smaller boards, or for being able to lay out your power more strategically, the Ojai gives a ton of power for such a tiny box. You can easily chain them together, to give you more than enough power for a pedalboard. It also comes with its own power cables.

Strymon El Capistan dTape Echo Pedal 回声踏板
This is a bit cheaper and smaller than the Timeline, but one of the most quality stereo tape delay pedals out there!

JHS The Kilt V2 Overdrive Pedal 失真踏板
This is a tasteful mid-range overdrive and distortion pedal. The V2 lets you access a higher gain setting with the push of a button, giving you multiple gain stages through one pedal.

Walrus Audio Julia Analog Chorus / Vibrato PedalEven though it’s a mono modulation pedal, it sounds extremely lush and huge with a lot of customization for the chorus and vibrato. It’s also a small pedal and can fit easily on a more compact board.

Boss TU-3 Chromatic Tuner Pedal with Bypass 调音器
This is an accurate tuner that also has a buffer in it if you’re looking for a cheaper option that gives you both in one.

JHS SuperBolt V2 Overdrive Pedal 失真踏板
This is a great first-mid stage gain pedal that can clean up and act as a lightly colored boost or can be used for lead lines.

Dunlop DVP4 Volume (X) Mini Pedal 音量踏板
This is a cheap but high-quality pedal with a small footprint that can fit on a smaller board and can be used as an expression pedal. It has a smooth sweep from heel to toe and you can adjust how much pressure is needed to increase or decrease volume.

Cables 线材

Mogami CorePlus Instrument R Cable – 20′This cable lasts a long time and won’t lose signal or quality quickly.

Picks 拨片

Dunlop Tortex Standard .88mm Green Guitar Picks or .73mm Yellow
These are sturdy and high-quality with a good grip on them. .88mm works for our tonality because it doesn’t give too much pick attack, neither is the pick too thick—it’s the perfect middle ground and it’s become a fave of all our guitarists. You get a lot out of these picks for a very good price.

Strings

D’Addario Nickel Wound Electric Strings -.011-.049 Medium 电吉他弦
These have a greater lifespan and they don’t get dull as quickly as other strings we’ve used.

D’Addario EXL115BT Nickel Wound Medium Electric Strings -.011-.050 木吉他弦
These have pretty much the same quality but without the same lifespan. These are great for guitarists who play a lot, need to change their strings quite often but also don’t want to break the bank

ACOUSTIC GUITAR木吉他

Instrument

Martin OM-21 with LR Baggs Anthem pickup installed
This is the guitar you buy when you know you want to be an acoustic player. It’s the industry standard. We use it in our studios, on tours, and on Sunday’s. We discovered it after making dozens of purchases, searching for a guitar with the most consistent sound and tone. Josh Baldwin uses it, Paul McClure uses it—it’s our go-to guitar.

Pickup 拾音器

LR Baggs Anthem Soundhole Microphone/Undersaddle Acoustic Guitar Pickup 拾音器

With this pickup, you can blend between the microphone and the piezo pickup, which lets you have more control over the sound your guitar produces beyond just EQ. It does a great job without feeding back. John-Paul Gentile, our main acoustic player swears by it. “It rules, man.”